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Queen - The Studio Experience is located in the original Mountain Studios, part of the Casino Barrière de Montreux, and charts the band's association with the studios, their personal relationship with the Swiss town, and the albums that were written and recorded there. The control room has not been changed since the days when Queen worked here. The only thing that has been replaced is the original Neve desk. In its place is a reproduction of the original, which allows visitors to make their own re-mix of some of the Queen classics. Many of the fixtures and sound equipment remain exactly as they were when owned by the band. The exhibition includes photos and memorabilia from the band's personal archives and in the Made in Heaven Room visitors will be able to stand in the exact same spot where Freddie recorded his last song. Queen recorded a total of seven albums at Mountain Studios in Montreux, which the band owned between 1979 and 1996, including the final album Made in Heaven. Thank you for watching! I hope you liked the walk with me. If so, please Subscribe for more videos: https://www.youtube.com/suissevirtualtours #queen #freddiemercury #switzerland #montreux
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Casino Square Terrace, 5* Hotel de Paris Experience the thrill of F1® at the iconic Hôtel de Paris. Enjoy gourmet cuisine and champagne with fellow F1® enthusiasts, all set against the backdrop in Casino Square. The ground-floor terrace offers unique views as the cars race through the square with a giant screen opposite the terrace. All guests will be seated inside the grand Salle Empire ballroom for the buffet lunch. Including a morning coffee break and pastries, buffet lunch and open bar from 11 am with champagne, fine wines and other drinks. Each day, ex-F1 drivers and personalities will be introduced on stage to discuss the upcoming race while the DJ and musical acts create an exciting atmosphere.
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First Beatles song in ages! Happy to be getting back into making them! I had been struggling to think of a good song to return with, and in my opinion, this was a good start ;) The song was recorded almost completely on the 3rd January 1970, before Phill Spector added the string and brass section in April. I decided to omit Spector's string and brass arrangement, as personally I prefer the sound of the Naked version! Although, one exception I made to the "Omitting Spector's work" rule was the lengthening of the band recording. When the song was recorded in January 1970, the runtime of the song was a mere 1:35. Spector was able to almost double the length of the track by simply taking the first Chorus of the recording, and adding it between the final verse and ending. For my version, I recorded to a shortened version (1:30ish) which I created myself by removing the 2nd chorus entirely and simply pasting in the ending section. I then mixed the song to the shortened version, before copy and pasting my version of the chorus behind the 2nd verse, and syncing it with the Naked version of the recording! (Its complicated to explain, but very simple in action!) I used as accurate of gear as I could (I even closed up the f-holes on my Casino with tape just for this! - kind of...). For George's Gibson J-200, I had to resort to using my only good acoustic, which I also used for Paul's accompanying guitar part! For George's Casino guitar part, I decided to record directly into GarageBand. (I did this because it isn't verified whether George recorded this with his Twin Deluxe Reverb, or directly into the Abbey Road soundboard, so I decided to compromise by using a variation of the two - My guitar directly into GarageBand, with a similar digital amp to a Fender Deluxe Reverb amp.) I didn't use much gain -on the amp- or overdrive pedals, I instead decided to overdrive the guitar's signal using my Focusrite Scarlett 2i2, with the gain setting FAR overloaded (Not as much, however, as Revolution!!) Both of the Electric guitars were panned hard to left and right For George and Paul's acoustic guitars, I mic'd with my Shure SM57 dynamic microphone, with added high end and a small amount of low! For George's Rhythm part, I mic'd the guitar from around 6 inches away from the end of the fretboard. George's Rhythm was panned to the centre, with an occasional volume change in mixing, to prevent clipping. For Paul and George's accompanying guitars, I mic'd them closer to the guitar, around 2-3 inches from the end of the fretboard, in order to get a clearer and fuller sound. Both guitars were panned hard to left and right. I really hope that this was useful! If you enjoyed please consider subscribing so more people can enjoy the work I put into these recreations! Thank you for watching and reading! - Luca :)