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Ever since I saw the Beatles on the Apple Studio’s rooftop with John Lennon playing an Epiphone Casino, I have thought they were a very cool looking guitar. The Beatles made anything look cool. It was not until I got to play a Casino that I realized why John was playing one to begin with. More on this later. The guitar’s sales doubled in 1965 and 1966. Some attribute this to the Beatles. This has been called the “Beatles Effect” where people would see the Beatles wearing or using an item and the sales for that item would shoot up. George Harrison and John Lennon were both seen playing Casinos during their final tour dates as a band. It is not hard to jump to the conclusion about their influence. Even at this late date I still experienced that very same “Beatles Effect” and purchased my guitar. Listening to the song Don’t Let Me Down written by John Lennon the snarl of the rhythm guitar just wanting to break up into overdrive gets me every time I listen to it. It is something basic and visceral. Video link in this video’s description. https://www.youtube.com/watch?v=NCtzkaL2t_Y The Casino was introduced in 1961 and sold until now with a short hiatus in the early 70s. The Epiphone Casino does not really have a direct Gibson model that it is a copy of. A lot of folks would compare the Casino because of its exterior looks to an ES-335. The 335 would not be the Gibson model that the Casino is most like. The Gibson ES-335 is a semi-hollow bodied guitar with a center maple tone block in the body and two hollow chambers on either side of the tone block. The Gibson ES-330 is an archtop guitar with a hollow body. There is not a center tone block of wood in the body of the 330. Like the ES-330 the Casino is also a hollow bodied guitar. When you look at both the modern ES-330 and the Casino next to each other the Casino appears to be a shorter or smaller guitar. With the modern version of the ES-330 the neck join is now at the 19th fret like the 335. The Casino neck joins the body at the 16th fret. This means the neck is set further into the body making the guitar look shorter. The guitar like the others stills has the 24.75”- or 628.65-mm scale length. My guitar is made in China. New the Casino is listed for $699 and used the guitar goes for $355 to $549 depending upon condition. There is a US made version of the Casino that sells MSRP of $3499. Quite the driver to make a person give Chinese made guitar a second look. There is a less expensive version of the Casino line called the Casino Worn series which retails for only $499 new. I have not done a comparison between the two models yet. The body is a double cutaway hollow body made of maple with a gloss finish. This model of the Casino comes in three colors currently: Natural, Casino Turquoise, and Vintage Sunburst (the finish on my guitar). The fit and finish of the guitar is excellent and I cannot find any flaws. The guitar is amazingly light weight. My guitar weighs 6 pounds and 7 ounces or 2.94 kilos. I immediately thought there would be neck dive. How could you have a hollow body guitar and not have neck dive. I put a strap on and for the most part the guitar balances. There is a slight tendency to lean toward the neck. The guitar is basically an acoustic. The resonance of the guitar unplugged is amazing. Comparing to a semi-hollow guitar like a 335 the difference is easy to discern. When unplugged, there is much more volume, bass, and mid tones when you play a Casino as compared to a semi-hollow bodied counterpart. The Set-neck is made of mahogany with an Indian Laurel fretboard. With the SlimTaper ‘60s D shaped neck it is comfortable to hold in your hand and play. The fretboard has a flat 12-inch radius. Cosmetically the binding and pearloid parallelogram inlays really make the guitar stand out. Saying parallelogram gives me PTSD from the days of me being in high school and being miserable in Geometry. The guitar has a Set-Neck with a neck join at the 16th Fret. There are 22 Medium Jumbo frets. I found no sharp edges on the sides of the fret board and there was no fret rocking anywhere. Nut Width 1.679" or 42.67mm and the nut is a Graph Tech NuBone nut. The scale length of the guitar is 24.75" or 628.65 mm. Pickup Configuration is Single coil Single coil with two Dogear P-9OT ClassicT™ P90 pickups. The electronics consist of 4 pots, a 3-way toggle pickup selector switch, and an output jack. I have a love affair with P90 pickups in general. To me they are the fundamental basis for garage style punk and are the pickups on a lot of my favorite guitars. Some of them only have a single P90 pickup installed. What else do you really need? The Casino is an absolutely beautiful guitar and a blast to play. My recommendation is I would pickup a used model for a good price and you will have a guitar the most definitely punches well above its price.

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In deze aflevering van New Vibes Only zitten we met niemand minder dan Winne. Zonder twijfel een van de meest invloedrijke stemmen uit de Nederlandse hiphop. Hij begon met rappen in het Engels, maar het was pas toen hij overschakelde naar het Nederlands dat Winne écht zijn stem vond. Vanaf dat moment ging het snel. Zijn track Top 3 MC zette in 2005 de game op z’n kop. Een rauwe, eerlijke en technisch ijzersterke track die een nieuwe standaard zette en Winne direct tot de meest geanticipeerde artiest van het moment maakte. Zijn debuutalbum Winne Zonder Strijd volgde, met klassiekers als Lotgenoot en W.I.N.N.E., en bewees dat zijn impact veel verder reikte dan één moment. Zijn recente album Mssyeh is zijn eerste onafhankelijke release op zijn eigen label Couture 33, waarmee hij nu ook ruimte biedt aan talent zoals Roets, Melissa Lopes, Mella MM en Harry Femer. In dit diepgaande gesprek blikken we terug op zijn beginjaren, praten we over zijn band met Rotterdamse iconen als U-Niq en Duvel, bespreken we zijn persoonlijke groei, zijn visie op geloof, therapie en mentale gezondheid én hoe hij zijn nalatenschap vormgeeft. Maar we staan ook stil bij het verlies van zijn dierbare vriend en Rotterdamse broeder Feis. Een kunstenaar en mens met wie Winne een diepe band had. Zijn overlijden liet niet alleen een leegte achter in de stad, maar ook in het hart van de scene. We praten over rouwen in het openbaar, het podium op moeten terwijl je hart gebroken is, en hoe je overeind blijft in tijden van verdriet. Een eerlijke en kwetsbare aflevering met een artiest die zijn woorden nooit verspilt. Een man die z’n plek in de top zelf heeft berekend en er met hart en ziel voor heeft gevochten. Een pionier. Een mentor. Een meesterverteller. Winne. Timestamps 🕒 00:54 Winne over de Top 3 MC 02:22 Wat waren Winne zijn doelen wat betreft muziek aan het begin van zijn carrière? 04:33 Hoe had Winne berekend dat hij een Top 3 MC was? 05:32 Wat betekende het voor Winne dat DuvelDuvel hem meenam naar optredens? 07:59 Hoe kennen U-Niq en Winne elkaar? 08:51 Winne over het ontstaan van de U-Niq-track “Kritiek” met Sticks 10:52 Winne over de Rotterdam Mixtape 12:40 Welke artiesten zou Winne uitnodigen op een nieuwe Rotterdam Mixtape? 14:27 Winne over waarom Top Notch Rotterdam niet is gelukt 18:00 Winne over wat Couture 33 betekent 19:09 Waar let Winne op bij het tekenen van artiesten? 21:01 Wat zijn de dingen die Winne heeft geleerd van Kees de Koning? 23:12 Waarom is Winne nu independent? 25:39 Winne over waarom hij zijn album MSSYEH heeft genoemd 27:54 Winne over de eerste ontmoeting met Feis 28:50 Mario Brouwer over het leren kennen van Feis 30:28 Winne over doorgaan met de ODZ-tour na het overlijden van Feis 33:39 Winne over publiekelijk moeten rouwen 36:14 Hoe heeft Winne zijn rauwe gevoelens getemd? 38:16 Winne over geloof 40:36 Winne over in therapie gaan door Ali B 49:33 Hoe is Winne de beste versie van zichzelf? 51:09 Winne over een nieuw hoofdstuk in zijn leven 55:18 Winne over werken met producer Concrete 57:30 Wat is het verhaal achter de track “Lotgenoot”? 01:02:07 Winne over Adje en de track “Geluk is Dichtbij” 01:04:45 Winne over wat volgens hem de zin van het leven is 01:07:48 Hoe zou Winne later herinnerd willen worden? We hebben jou support nodig om te kunnen groeien en meer afleveringen te kunnen maken met jouw favoriete artiesten. Hiervoor hebben we meer abonnees nodig. Abonneren is gratis. Supporten is gratis. ⤵️ → Abonneer op ons YouTube kanaal 🎞️ / https://www.youtube.com/@newvibesonlypodcast → Volg ons op social media 📲 / https://www.instagram.com/newvibesonlypodcast → Website 💻 https://www.newvibesonly.com → Over NEW VIBES ONLY 🎵 In NEW VIBES ONLY praat Mario Brouwer met artiesten over hun pas uitgebrachte project. Kom meer te weten over de muziek en de creatieve processen. Hoe zijn bepaalde samenwerkingen tot stand gekomen en waarom zeggen ze bepaalde dingen in hun tracks? → Meer afleveringen https://www.youtube.com/playlist?list=PLo1ExWHd0E89tEuUG402ksHh2VsILG2uE #NEWVIBESONLY #WINNE #MARIOBROUWER